This is the final retouched image. Retouching airbrush art was much harder than I'd anticipated as there are so many rolling gradients everywhere, it's not easy to find a good cloning source. There were other pieces to fix as well: working from a printed piece as opposed to the original art, paint giving off reflections when photographed etc. etc. Give me a shout if you want to hear more about any aspect of the assembly required for the book – technical or editorial.
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About the Author
- Norman Hathaway
- Brooklyn, New York, United States
- Norman Hathaway is a designer and writer whose primary focus is on contemporary, lesser-known design techniques and personalities. Norman's professional experience has spanned many design disciplines, from sign painting to filmmaking. His clients included The Design Museum, The Royal Academy of Arts, Paul McCartney and Peter Gabriel. He has lectured widely on design at the London College of Printing, The Royal College of Art, Goldsmiths College and other schools. He currently lives in Brooklyn with his daughter Wilma.
© 2008 PictureBox Inc. and Norman Hathaway
overspraybook@gmail.com
5 comments:
Norman, these retouch step-by-step posts are invaluable! i can't imagine what they did pre-photoshop to get these results... seems they would've had to work on the image itself...
-mia
Well with that particular image it wouldn't have been possible.
Good separators could correct color casts, but not much else without considerable expense - dot etching, or making dupe transparencies or prints and hand retouching with dyes and/or paint.
But Overspray gives a pretty accurate portrayal of what the art was intended to look like.
Wow Norm! So I just sat down and read through all your blog posts thus far, and I am truly impressed! Top notch stuff here! Keep 'em coming!
Can't wait for my copy of the book to arrive!
;-)
oh, so you visited the picturebox site then?
Really good.
Regards,
SBL Graphics
SBL image retouchig
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